By Gayatri Rao Dutt & Pradeep Sathe
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Extra info for Aditya, The Man from Nowhere 1: The Inner Curse
In the last few years, the activities of visual art have flourished in Pakistan in a noticeable manner. Many new creative endeavors have come into existence; they reflect the pure and true creative ideas of the young generation of artists in Pakistan. The young artists reflect many influences from their pioneers, their heritage and inspirations from many Western trends of modern art or from other cultures. All the 17 Lahore College for Women University. 60 progress in this field is because of the establishment of new art societies, art institutes, and art departments in colleges and universities throughout the country.
In-chief), The New Cambridge History of Islam IV, forthcoming. W. Barthold, Turkestan Down to the Mongol Invasion, 4th edition, London, 1977. Abu’l-Fazl Bayhaqi, Tārikh-e Bayhaqi, ed. M. Dāneshpazhuh, Tehran, 1376/1997. I. Beckwith, “Aspects of Early History of Central Asian Guard Corps in Islam,” Archivum Eurasiae Medii Aevi 4 (1984), pp. 29-43. Farā’id al-soluk, ed. N. Vesāli and Gh. Afrāsiyābi, Tehran, 1989. Charles-Henri de Fouchécour, Moralia. Les notions morales dans la littérature persane du 3e/9e au 7e/13e siècle, Paris, 1986.
Two of the panelists (Eslami and Eslami-Rasekh) focus on politeness issues as realized by different speech acts in Persian language and illustrate the western-bias in treatments of politeness as represented in the previous literature and seminal work by Brown and Levinson (1989). Another panel member (Tavangar) focuses on the sociocultural aspects of idiomaticity in Persian and covers the interpersonal implications that Persian idioms may carry; how these expressions are to be interpreted by the hearer and what their relevance to the overall discourse context is.